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C'est La Vie - The Ultimate Rare Tracks 1964 / 2013

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MessagePosté le: Dim 13 Juil - 19:09 (2014)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013 Répondre en citant


Trying to chronicle David Bowie, rock's greatest chameleon, may be one of the most difficult tasks we could work on. Anyone who was lucky enough to visit the 'David Bowie Is .. " exhibition at London's Victoria and Albert Museum or will be planning to visit the touring show in Toronto, Sao Paulo, Chicago, Paris, Berlin or Groningen will see that Bowie spreads his works so thinly across so much that piecing together his path is a infinite game.

From his beginnings as a modish Anthony Newly styled crooner, running through a hippyish, space phase, a deluxe glam rocker, to bright white soul star, paranoia ridden krautrock alien, cool, tanned all-round popstar, drum and bass progeny and ultimately, strangely, himself, Bowie has also rubbed his magic into many other careers throughout the years, famously rescuing Iggy Pop from his post-Stooges mire and bringing him back to the fore, like rock's king Midas.

Our selection here works the same direction as the Sound + Vision boxed set. Picking up at those points in Bowie's career where his choice's differed from our own and handing you the oddities and rarities that went overlooked.

The cliché about David Bowie says he's a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the '70s. After spending several years in the late '60s as a mod and as an all-around music-hall entertainer, Bowie reinvented himself as a hippie singer/songwriter. Prior to his breakthrough in 1972, he recorded a proto-metal record and a pop/rock album, eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona. Ziggy made Bowie an international star, yet he wasn't content to continue to churn out glitter rock.
By the mid-'70s, he developed an effete, sophisticated version of Philly soul that he dubbed "plastic soul," which eventually morphed into the eerie avant-pop of 1976's Station to Station. Shortly afterward, he relocated to Berlin, where he recorded three experimental electronic albums with Brian Eno. At the dawn of the '80s, Bowie was still at the height of his powers, yet following his blockbuster dance-pop album Let's Dance in 1983, he slowly sank into mediocrity before salvaging his career in the early '90s. Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better and for worse. Each one of his phases in the '70s sparked a number of subgenres, including punk, new wave, goth rock, the new romantics, and electronica. Few rockers ever had such lasting impact.

David Robert Jones began performing music when he was 13 years old, learning the saxophone while he was at Bromley Technical High School; another pivotal event happened at the school, when his left pupil became permanently dilated in a schoolyard fight. Following his graduation at 16, he worked as a commercial artist while playing saxophone in a number of mod bands, including the King Bees, the Manish Boys (which also featured Jimmy Page as a session man), and Davy Jones & the Lower Third. All three of those bands released singles, which were generally ignored, yet he continued performing, changing his name to David Bowie in 1966 after the Monkees' Davy Jones became an international star. Over the course of 1966, he released three mod singles on Pye Records, which were all ignored.
The following year, he signed with Deram, releasing the music hall, Anthony Newley-styled David Bowie that year.
Upon completing the record, he spent several weeks in a Scottish Buddhist monastery. Once he left the monastery, he studied with Lindsay Kemp's mime troupe, forming his own mime company, the Feathers, in 1969. The Feathers were short-lived, and he formed the experimental art group Beckenham Arts Lab in 1969.

Bowie needed to finance the Arts Lab, so he signed with Mercury Records that year and released Man of Words, Man of Music, a trippy singer/songwriter album featuring "Space Oddity." The song was released as a single and became a major hit in the U.K., convincing Bowie to concentrate on music.
Hooking up with his old friend Marc Bolan, he began miming at some of Bolan's T. Rex concerts, eventually touring with Bolan, bassist/producer Tony Visconti, guitarist Mick Ronson, and drummer Cambridge as Hype.
The band quickly fell apart, yet Bowie and Ronson remained close, working on the material that formed Bowie's next album, The Man Who Sold the World, as well as recruiting Michael "Woody" Woodmansey as their drummer.
Produced by Tony Visconti, who also played bass, The Man Who Sold the World was a heavy guitar rock album that failed to gain much attention. Bowie followed the album in late 1971 with the pop/rock Hunky Dory, an album that featured Ronson and keyboardist Rick Wakeman.

Following its release, Bowie began to develop his most famous incarnation, Ziggy Stardust: an androgynous, bisexual rock star from another planet. Before he unveiled Ziggy, Bowie claimed in a January 1972 interview with Melody Maker that he was gay, helping to stir interest in his forthcoming album. Taking cues from Bolan's stylish glam rock, Bowie dyed his hair orange and began wearing women's clothing. He began calling himself Ziggy Stardust, and his hacking band -- Ronson, Woodmansey, and bassist Trevor Bolder -- were the Spiders from Mars.
The Rise and Fall of Ziggy Stardust and the Spiders from Mars was released with much fanfare in England in late 1972. The album and its lavish, theatrical concerts became a sensation throughout England, and it helped him become the only glam rocker to carve out a niche in America.
Ziggy Stardust became a word-of-mouth hit in the U.S., and the re-released "Space Oddity" --which was now also the title of the re-released Man of Words, Man of Music -- reached the American Top 20.
Bowie quickly followed Ziggy with Aladdin Sane later in 1973. Not only did he record a new album that year, but he also produced Lou Reed's Transformer, the Stooges' Raw Power, and Mott the Hoople's comeback All the Young Dudes, for which he also wrote the title track.

Given the amount of work Bowie packed into 1972 and 1973, it wasn't surprising that his relentless schedule began to catch up with him. After recording the all-covers Pin-Ups with the Spiders from Mars, he unexpectedly announced the band's breakup, as well as his retirement from live performances, during the group's final show that year.
He retreated from the spotlight to work on a musical adaptation of George Orwell's 1984, but once he was denied the rights to the novel, he transformed the work into Diamond Dogs. The album was released to generally poor reviews in 1974, yet it generated the hit single "Rebel Rebel," and he supported the album with an elaborate and expensive American tour. As the tour progressed, Bowie became fascinated with soul music, eventually redesigning the entire show to reflect his new "plastic soul." Hiring guitarist Carlos Alomar as the band's leader, Bowie refashioned his group into a Philly soul band and recostumed himself in sophisticated, stylish fashions. The change took fans by surprise, as did the double-album David Live, which featured material recorded on the 1974 tour.

Young Americans, released in 1975, was the culmination of Bowie's soul obsession, and it became his first major crossover hit, peaking in the American Top Ten and generating his first U.S. number one hit in "Fame," a song he co-wrote with John Lennon and Alomar.
Bowie relocated to Los Angeles, where he earned his first movie role in Nicolas Roeg's The Man Who Fell to Earth (1976). While in L.A., he recorded Station to Station, which took the plastic soul of Young Americans into darker, avant-garde-tinged directions, yet was also a huge hit, generating the Top Ten single "Golden Years."
The album inaugurated Bowie's persona of the elegant "Thin White Duke," and it reflected Bowie's growing cocaine-fueled paranoia. Soon, he decided Los Angeles was too boring and returned to England; shortly after arriving back in London, he gave the awaiting crowd a Nazi salute, a signal of his growing, drug-addled detachment from reality. The incident caused enormous controversy, and Bowie left the country to settle in Berlin, where he lived and worked with Brian Eno.

Once in Berlin, Bowie sobered up and began painting, as well as studying art. He also developed a fascination with German electronic music, which Eno helped him fulfill on their first album together, Low. Released early in 1977, Low was a startling mixture of electronics, pop, and avant-garde technique. While it was greeted with mixed reviews at the time, it proved to be one of the most influential albums of the late '70s, as did its follow-up, Heroes, which followed that year. Not only did Bowie record two solo albums in 1977, but he also helmed Iggy Pop's comeback records The Idiot and Lust for Life, and toured anonymously as Pop's keyboardist.
He resumed his acting career in 1977, appearing in Just a Gigolo with Marlene Dietrich and Kim Novak, as well as narrating Eugene Ormandy's version of Peter and the Wolf. Bowie returned to the stage in 1978, launching an international tour that was captured on the double-album Stage. During 1979, Bowie and Eno recorded Lodger in New York, Switzerland, and Berlin, releasing the album at the end of the year. Lodger was supported with several innovative videos, as was 1980's Scary Monsters, and these videos -- "DJ," "Fashion," "Ashes to Ashes" -- became staples on early MTV.

Scary Monsters was Bowie's last album for RCA, and it wrapped up his most innovative, productive period. Later in 1980, he performed the title role in stage production of The Elephant Man, including several shows on Broadway.
Over the next two years, he took an extended break from recording, appearing in Christiane F (1981) and the vampire movie The Hunger (1982), returning to the studio only for his 1981 collaboration with Queen, "Under Pressure," and the theme for Paul Schrader's remake of Cat People. In 1983, he signed an expensive contract with EMI Records and released Let's Dance. Bowie had recruited Chic guitarist Nile Rodgers to produce the album, giving the record a sleek, funky foundation, and hired the unknown Stevie Ray Vaughan as lead guitarist. Let's Dance became his most successful record, thanks to stylish, innovative videos for "Let's Dance" and "China Girl." which turned both songs into Top Ten hits. Bowie supported the record with the sold-out arena tour Serious Moonlight.

Greeted with massive success for the first time, Bowie wasn't quite sure how to react, and he eventually decided to replicate Let's Dance with 1984's Tonight. While the album sold well, producing the Top Ten hit "Blue Jean," it received poor reviews and was ultimately a commercial disappointment.
He stalled in 1985, recording a duet of Martha & the Vandellas' "Dancing in the Street" with Mick Jagger for Live Aid. He also spent more time jet-setting, appearing at celebrity events across the globe, and appeared in several movies -- Into the Night (1985), Absolute Beginners (1986), Labyrinth (1986) -- that turned out to be bombs. Bowie returned to recording in 1987 with the widely panned Never Let Me Down, supporting the album with the Glass Spider tour, which also received poor reviews.
In 1989, he remastered his RCA catalog with Rykodisc for CD release, kicking off the series with the three-disc box Sound + Vision. Bowie supported the discs with an accompanying tour of the same name, claming that he was retiring all of his older characters from performance following the tour.
Sound + Vision was successful, and Ziggy Stardust re-charted amidst the hoopla.

Sound +Vision may have been a success, but Bowie's next project was perhaps his most unsuccessful. Picking up on the abrasive, dissonant rock of Sonic Youth and the Pixies, Bowie formed his own guitar rock combo, Tin Machine, with guitarist Reeves Gabrels, bassist Hunt Sales, and his drummer brother Tony, who had previously worked on Iggy Pop's Lust for Life with Bowie.
Tin Machine released an eponymous album to poor reviews that summer and supported it with a club tour, which was only moderately successful.
Despite the poor reviews, Tin Machine released a second album, the appropriately titled Tin Machine II, in 1991, and it was completely ignored.

Bowie returned to a solo career in 1993 with the sophisticated, soulful Black Tie White Noise, recording the album with Nile Rodgers and his now-permanent collaborator, Reeves Gabrels. The album was released on Savage, a subsidiary of RCA, and received positive reviews, but his new label went bankrupt shortly after its release, and the album disappeared. Black Tie White Noise was the first indication that Bowie was trying hard to resuscitate his career, as was the largely instrumental 1994 soundtrack The Buddha of Suburbia. In 1995, he reunited with Brian Eno for the wildly hyped, industrial rock-tinged Outside. Several critics hailed the album as a comeback, and Bowie supported it with a co-headlining tour with Nine Inch Nails in order to snag a younger, alternative audience, but his gambit failed; audiences left before Bowie's performance and Outside disappeared. He quickly returned to the studio in 1996, recording Earthling, an album heavily influenced by techno and drum'n'bass. Upon its early 1997 release, Earthling received generally positive reviews, yet the album failed to gain an audience, and many techno purists criticized Bowie for allegedly exploiting their subculture. hours... followed in 1999. For 2002, Bowie reunited with producer Toni Visconti and released Heathen to very positive reviews. He continued on with Visconti for Reality in 2003, which was once again warmly received.

Bowie supported Reality with a lengthy tour but it came to a halt in the summer of 2004 when he received an emergency angioplasty while in Hamburg, Germany. Following this health scare, Bowie quietly retreated from the public eye. Over the next few years, he popped up at the occasional charity concert or gala event and he sometimes sang in the studio for other artists (notably he appeared on Scarlett Johansson's Tom Waits tribute Anywhere I Lay My Head in 2008). Archival releases appeared but no new recordings did until he suddenly ended his unofficial retirement on his 66th birthday on January 8, 2013, releasing a new single called "Where Are We Now?" and announcing the arrival of a new album. Entitled The Next Day and once again produced by Visconti, that album was released in March of 2013.

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MessagePosté le: Dim 13 Juil - 19:09 (2014)    Sujet du message: Publicité

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MessagePosté le: Dim 13 Juil - 19:13 (2014)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013 Répondre en citant



01. Long Hair Interview (The Society for the Prevention of Cruelty to Long-haired Men) 1.44
David's first ever television interview on the BBC 2's Tonight TV show November 12

02. I Pitty The Fool 2.07
03. Take My Tip 2.12
Both alternate versions with The Manish Boys recorded at IBC studios January 15

04. Baby That's A Promise 2.22
05. Silly Boy Blue 2.56
From a demo acetate recorded at R.G. Jones Oak studios with The Lower Third August 31 -Baby That's A Promise is a restored version so no skip as on the original acetate

06. Over The Wall We Go 2.54
With longer outro from a demo acetate recorded at R.G. Jones Oak studios with The Lower Third September 1

07. The Laughing Gnome (version 1) 0.46
Fragment of a different take with alternate gnome voices recorded at Decca studios February 7

08. Little Toy Soldier- Little Sadie (alternate version) 2.15
09. Silly Boy Blue (complete intro) 3.18
10. I'm Waiting For My Man (false start) 4.13
11. Silver Tree Top School For Boys (demo) 2.24
Demo recordings recorded with The Riot Squad at Decca studios April 5 - as released on the digital download album
The last chapter-Mods and sods+ the vinyl release only Riot Squad EP

12. Everything Is You 2.10
13. Social Kind Of Girl 2.41
From a Emidisc demo acetate

14. Silver Tree Top School For Boys 2.40
David's own demo version from a Essex Music acetate

15. C'est La Vie (backing track) 2.54
16. C'est La Vie (with vocals) 2.33
Both from a Decca demo acetate

17. Even A Fool Learns To Love 0.50
Longer fragment from a Emidisc acetate dubbed over Claude Francois original recording Comme d'Habitude that later became famous as My Way as broad casted on the BBC TV show Arena

18. Ching-A-Ling 7.55
Fragment of a very rare version from a Turquoise demo recording recorded August 16 featuring Tony Hill before he was replaced by John Hutchinson

19. April's Tooth Of Gold 2.30
20. When I'm Five 3.07
From a demo acetate

21. Space Oddity 1.71
Rare unreleased fragment of a demo with John Hutchinson


01. The Supermen 1.20
Fragment of a unreleased BBC recording dated March 25

02. Tired Of My Life 3.06
03. Shadow Man 3.48
04. How lucky You Are 3.34
05. I've Got Lightning (stereo with complete intra) 4.03
06. Looking For A Friend 2.13
07. Rupert The Riley 2.58
08. Rupert The Riley (with sound effects) 3.02
These 7 tracks are sourced from a newly discovered Trident mastertape and in best sound quality ever

09. Bombers 0.39
Rare fragment of a live recording from Glastonbury June 20

10. Life On Mars (abbey road mix) 3.49
Alternate take from a Trident studio mastertape

11. Oh, You Pretty Things 3.08
12. Five Years 4.31
2 alternate takes from the Old Grey Whistle Test TV show

13. All The Young Dudes 3.56
Demo with David on guide vocals over a Matt the Hoople backing track

14. The Jean Genie 4.38
Rare recently discovered live version as performed on Top of the Pops TV show, UK July 5 With David on harmonica and Love Me Do riff

15. Young Americans (take 3) 1.11
16. Shilling The Rubes (take 1) 1.09
17. I'm A Laser 2.13
18. After Today 1.03
4 fragments from the Young Americans sessions

19. Can You Hear Me 5.23
Early outtake from the Young Americans sessions

20. Win 4.44
Only known live performance of this song recorded at The Omni, Atlanta, USA December 1

21. Heroes I Helden (english-german full-length version) 6.01
22. Heroes I Héros (english-french full-length version) 6.02
Released on a German 12" by RCA and on the rare US promo cd Sinmix Presents The B.L. A.S.T. Modern Rock Program #34

23. Breaking Glass (extended stereo version) 2.45
Released on Australian and New Zealand RCA 7" only


01. Scary Monsters 0.54
02. People Are Turning To Gold 0.46
2 rare outtake fragments from the Scary Monsters sessions

03. Cat People (extended remix) 9.20
Released on Australian MCA 12" only

04. Cat People (full length version) 10.18
Rare 10:18 minutes unreleased mix

05. Waiata Song 2.01
David's Maori tribute song recorded November 22

06. Imagine 4.48
Live recording from the Hong Kong Coliseum, China December 8 as tribute to John Lennon

07. Dancing In The Street 2.50
Early mix without the brass section

08. This Is Not America 3.14
Dvd remix version

09. Dancing In The Street 4.08
Live version with Mick Jagger from Princes Trust concert June 20 - never broadcasted

10. AI Alba 5.27
Spanish version of Day-In Day-Out without dj voiceover released as iTunes digital download only

11. Girls (Japanese extended version) 5.34
Released as iTunes digital download only

12. Modern love (The Choice Is Right) 0.58
Alternate fragment from Pepsi commercial with Tina Turner

13. You've Been Around 3.36
Only known live performance of this song with Tin Machine live at The World, NY, USA June 14


01. It's Tough 3.38
Unreleased track recorded during sessions for the Tin Machine 2 album

02. A Big Hurt (BBC studio version) 3.27
Released on UK London/Victory 12" only as B side of Baby Universal

03. You've Been Around (dangers trance mix) 6.58
Rare 6.58 minutes version as released on the US Brooklyn Music Limited promo only cd Pro-File 1 Remix Collection

04. Strangers When We Meet 5.10
Alternate version from a Dutch Ariola Buddha of Suburbia promo tape

05. Nothing To Be Desired 4.16
Outtake from the Outside sessions

06. I'd Rather Be Chrome (rare extended ve1sion) 5.22
Outtake from the Outside sessions

07. My Death 5.58
From the Outside tour rehearsals

08. I Can't Read 5.15
From a unreleased BBC recording dated January 8

09. Fun Fade 2 (w/o crowd at top & shorter fade) 4.24
10. Trying To Get To Heaven 5.00
Both released on a Virgin in-house sampler titled Fun

11. Fun house #2 Clownboy Mix 3.11
12. Funhouse #3 Clownboy Mutant Mix 3.11
13. Funhouse #5 Clownboy Mix Vocal Up 3.11
14. Funhouse #7 Clownboy Instrumental 3.10
These 4 tracks where released on a Virgin in-house sampler titled Funhouse-Danny Saber Remixes

15. Fun 3.30
Mix taken from a Bowienet cd rom

16. Mother 5.05
Recorded for a John Lennon tribute album intented for release in 2000 but shelved

17. Omikron 2.23
Opening track of the game Omikron: The Nomad Soul

18. Awaken 2 (No One Calls) 2.39
Instrumental containing a ambient version of No One Calls as released on the game Omikron: The Nomad Soul


01. Silly Boy Blue 6.10
Live at Tibet House benefit concert Carnegie Hall, NY, USA February 26

02. Everyone Says Hi (metro remix) 7.19
Long version released on Columbia promo only 12" and the Sony cd In The Mix: Rare and Hard To Find Remixes

03. I Took A Trip On A Gemini Spaceship (deepsky's space cowboy remix) 7.49
From Columbia promo only 12"

04. I Feel So Bad 4.15
05. One Night 2.50
To commemorate that it was 25 years ago that Elvis died David did a one time only performance of these 2 songs from The King – Live in Quincy, Washington, USA August 16

06. New Killer Star 1.02
Fragment of a alternate lyric version used in videoclip

07. Your Turn To Drive 4.49
HMV exclusive download only

08. The Man Who Sold The World 1.49
09. Suffragette City 2.20
10. 5.15 The Angels Have Gone 1.38
11. Try Some, Buy Some 2.11
12. China Girl 1.50
13. The Loneliest Guy 1.13
14. New Killer Star 2.18
15. Modern Love 3.28
8 fragments from the Reality tour rehearsals in NY, USA July 12- released as Bowienet download only

16. Starman (metrophonic remix) 5.14
Unreleased track intented for the Club Bowie cd taken from a early Virgin promo cdr

17. Liza Jane 2.37
Part of song to celebrate the 40th anniversary of his first single- recorded live at PNC Bank Arts Center, Holmdel NJ, USA June 5

18. Life On Mars 4.45
19. Wake Up 5.55
20. Five Years 3.47
Recorded live with Arcade Fire at Fashion Rocks Radio City Music Hall, NY, USA September 8
Released as iTunes digital download only

21. Little Fat Man 2.17
From the BBC TV comedy Extras with Ricky Gervais

22. Sound And Vision (2013) 1.49
Sonjay Prabhakar mix released on promo cd and digital download only by Parlophone records made for the Sony Xperia advertising campaign



01. Kenny Miller - Take My Tip 2.07
First ever cover version of a song composed by David - released on the Stateside label before David's own release

02. Oscar - Over The Wall We Go 2.58
Bowie composition featuring David - released on the Reaction label

03. Ronnie Hilton - The Laughing Gnome 2.57
Second cover version of a Bowie composition - released on the HMV label

04. Dee Dee - Love Is Always 2.28
English lyrics written by David - released on the Palette label

05. Dee Dee - Pancho 2.11
English lyrics written by David - released on the Palette label

06. The Slender Plenty - Silver Tree Top School For Boys 2.20
Bowie composition - released on the Polydor label

07. The Beatstalkers - Silver Tree Top School For Boys 2.09
Bowie composition - released on the CBS label

08. Billy Fury - Silly Boy Blue 3.03
Third cover version of a Bowie composition - released on the Parlophone label

09. The Beatstalkers - Everything Is You 2.20
Bowie composition with David on backing vocals- released on the CBS label

10. The Beatstalkers - When I'm Five 2.56
Bowie composition with David on backing vocals • released on the CBS label

11. Computers - Ragazzo Solo, Ragazza Sola 3.54
Bowie composition released before David's own release- released on the Numero Uno label

12. Peter Noone - Oh! You Pretty Thing 3.03
Bowie composition featuring David on piano - released on the RAK label

13. Peter Noone - Right On Mother 2.39
Bowie composition - released on the RAK label

14. Lulu -The Man Who Sold The World 4.28
Different take with studio talk and Bowie on guitar, sax and backing vocals- original released on the Polydor label

15. Lulu - Watch That Man 5.00
With Bowie on guitar, sax and backing vocals - released on the Polydor label

16. Ronnie Wood - I Can Feel The Fire 4.53
With David Bowie and Mick Jagger on backing vocals - released on the Ronnie Wood Anthology 2cd set on the EMI label

17. Mick Ronson - Stone Love 3.27
Mick's demo of Soul Love a composition written by David - released on the Play Don't Worry cd as bonus track on the Snapper Music label

18. Cuddly Toys - Madman 3.08
Bowie composition - released on the Fresh label

19. Queen - Cool Cat 3.44
Rare stereo demo with David on backing vocals - from a Elektra Sound studio tape

20. Queen - Action This Day 3.32
With David on backing vocals - from the Queen album Hot Space released on the EMI Iabel

21. lggy Pop - Fire Girl 4.15
Rare demo with David on backing vocals – released on the 7 disc box set called Where The Faces Shine Vol.2 on Easy Action Records

22. Kristeen Young - Saviour 5.22
Alternate version featuring David - released on promo only cd for Kristeen's Breasticles cd on the Zona N- Records label

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MessagePosté le: Lun 14 Juil - 09:18 (2014)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013 Répondre en citant

Je ne connais pas ceux-là

02. People Are Turning To Gold
05. Waiata Song... certainement indispensable Laughing
06. I'd Rather Be Chrome... je ne pense pas connaître
04. I Feel So Bad
05. One Night
16. Ronnie Wood - I Can Feel The Fire
20. Queen - Action This Day

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Jack Sikora

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MessagePosté le: Lun 14 Juil - 09:27 (2014)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013 Répondre en citant

Salut Eye !
People are turning to gold est le titre de la demo "lalala" de Ashes to ashes !

Always failing to remember why we came,
I wonder why we came.

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MessagePosté le: Lun 14 Juil - 09:40 (2014)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013 Répondre en citant

Salut Jack.
OK, je vois.
Peut-être que je l'ai dans mes cd's mais ça ne m'a pas frappé.

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MessagePosté le: Lun 14 Juil - 11:20 (2014)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013 Répondre en citant

05. Waiata Song... certainement indispensable Laughing

Bowie's Waiata on Radio New Zealand National
On 23 November, 1983, shortly before his first concert in Wellington, David Bowie was invited to visit Takapuwahia Marae in Porirua.

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MessagePosté le: Mar 5 Aoû - 15:38 (2014)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013 Répondre en citant

A la première écoute, pas mal mais encore de la frustration...les fragments surtout....bel objet néanmoins et compilant quelques trouvailles que nous connaissons plus ou moins éparses sur des cds de copies...

 Si ça pouvait donner l'idée à Bowie de dégainer l'artillerie lourde et de balancer de l'archive en intégralité la lourde avec le son qui va bien...

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MessagePosté le: Aujourd’hui à 14:22 (2018)    Sujet du message: C'est La Vie - The Ultimate Rare Tracks 1964 / 2013

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